Visit Memphis Music Hall of Fame

By Samantha Crespo

The Memphis Music Hall of Fame (MMHoF) celebrates visionaries who’ve made music in this city that resonates around the world. Some are household names, some aren’t. But spend an hour or so in their Hall of Fame, and you’ll see how they’re all connected to the soundtrack of your life.

The basics

MMHoF has been inducting members since 2012, but the museum opened August 2015. It’s small in size (less than 5,000 square feet), but I prefer it that way: Most museum visitors will be anxious to explore Beale Street just outside, and the small size certainly doesn’t cramp the museum’s style (design accents include suspended guitars and an inverted, red-lacquered piano repurposed as a lighting fixture). By keeping its message concise, this Memphis music museum can also help you customize your exploration of Memphis music history: Want more soul? Visit Stax Museum of American Soul Music. Want more rockabilly? Tour Sun Studio. Want more Elvis? Get to Graceland. MMHoF will serve as a hub of information on all of these Memphis music attractions and more.

Something for everyone

Even if your Memphis music knowledge starts and stops with Elvis, the MMHoF experience won’t be lost on you. Gape at over-the-top stage costumes like one of Elvis’ jumpsuits and Rufus Thomas’ “Funky Chicken” get-up. (Contrast Thomas’ fuchsia velour affair with Johnny Cash’s black three-piece suit nearby.) Check out Isaac Hayes’ road organ. Goggle at the Oscar for “Best Original Song” awarded to rappers Three 6 Mafia for 2005’s Hustle & Flow. Take a selfie with a ZZ Top cut-out – the group’s time at Memphis’ Ardent Studios produced “La Grange,” one of Rolling Stone magazine’s “100 Greatest Guitar Songs of all Time.” Eye the driver’s seat of Jerry Lee Lewis’ 1983 Cadillac El Ballero. Groove to footage of The Staple Singers performing at Wattstax, produced by Memphis’ Stax Records. Use an interactive kiosk to “meet” all of the inductees, then play “Finish the Lyrics” to fill in the blanks to popular inductee songs. 

Want a look behind the scenes? Study photographs of Willie Mitchell at work inside Royal Studios, where he produced Ann Peebles, Al Green and others. (Note Green’s hand-written lyrics for “Take Me to the River” nearby.) 

If you’re into history, scroll through a century’s worth of Memphis music moments using a touch screen. Find W.C. Handy’s autograph inside a book published about him. Look out at Beale Street below you and imagine a time when Handy sat composing in a saloon here. Or when, decades later, inductee Jimmie Lunceford practiced in the street’s storied clubs with his orchestra (they would later leave Memphis to supplant Cab Calloway’s act at New York’s Cotton Club). Or when, decades later, kids from a local high school gigged here and became inductee Otis Redding’s band. That band, The Bar-Kays, is now honored in the MMHoF too, and still plays with two original members.

The 'a-ha' moment

At this point in your visit to MMHoF, you’ve noticed some connections. Maybe you were already aware of some – such as Paul McCartney asserting that there would be no Beatles without inductee Carl Perkins (who wrote “Blue Suede Shoes” at the beginning of his prolific career). And most Elvis fans know he loved gospel – he frequented the church of Memphis preacher/songwriter/disc jockey Rev. Herbert Brewster, also an inductee, to get his Sunday morning gospel fix. 

Then you find the museum’s “Finish the Influences” kiosk. It’s like playing six degrees of separation with Memphis musicians as the nexus. (Think: Rufus Thomas inspired Isaac Hayes inspired Alicia Keys and My Morning Jacket.) And you realize that every note in the Memphis music story is a bridge to another sound, connected by inspiration.

What’s next

By the time you’re readying to leave the museum, I hope you’ve learned something. Test your Memphis Music Knowledge (there’s a kiosk for it) and settle down in front of the oversized screen titled “New Memphis Music.” One of my local favorites, Amy LaVere, sings on the screen. You should try to catch her while you’re in town. While you’re listening, consider that she was once produced by MMHoF inductee Jim Dickinson, who was influenced by inductee Furry Lewis . . . and the connections keep evolving, like a song that never ends.

If You Go

The Memphis Music Hall of Fame is open seven days a week from 10 a.m. to 7 p.m. Admission is $8 with group discounts available.
 

by Samantha Crespo